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Burkinabé literature
Burkinabé literature grew out of oral tradition, which remains important. In 1934, during French occupation, Dim-Dolobsom Ouedraogo published his ''Maximes, pensées et devinettes mossi'' (''Maximes, Thoughts and Riddles of the Mossi''), a record of the oral history of the Mossi people. The oral tradition continued to have an influence on Burkinabé writers in the post-independence Burkina Faso of the 1960s, such as Nazi Boni and Roger Nikiema. The 1960s saw a growth in the number of playwrights being published. Since the 1970s, literature has developed in Burkina Faso with many more writers being published.
==Early literature and colonial times==
Prior to colonisation, written literature was virtually absent in Burkina Faso, like much of Africa. The oral tradition has always been important to the many ethnic groups, sustaining the cultural diversity of the country. Culture has been transmitted orally through music and dance.〔 This has been described by Titinga Frédéric Pacéré in his 1992 book ''Le language des tam-tams et des masques Afrique'', emphasising the importance in many of Burkina Faso's ethnic groups of griots, and the older members of the communities.〔
In 1934, Dim-Dolobsom Ouedraogo wrote his book ''Maximes, pensées et devinettes mossi'' (''Maximes, Thoughts and Riddles of the Mossi''), recording the oral history of the Mossi kingdom which gave rise to Burkina Faso.〔〔
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抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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